Saharanpur Wood Carving: The Carved City
In Saharanpur, at the foot of the Shivalik hills, generations of carvers have turned sheesham and teak into furniture that carries the city’s name around the world.
From Kashmir's pashmina to Varanasi's brocade — the Himalaya, the Gangetic plain and the desert edge.
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In Saharanpur, at the foot of the Shivalik hills, generations of carvers have turned sheesham and teak into furniture that carries the city’s name around the world.
Worked from the wrong side of coarse cotton with bright silk floss, Phulkari turned everyday cloth into a garden — and a bride's most personal inheritance.
Combed from goats that winter at 14,000 feet and spun by hand in Srinagar, a true pashmina shawl is so fine it can pass through a wedding ring.
In Moradabad, sand from the Ramganga, fire, and a hand-held chisel turn plain brass into engraved work the world has bought for four centuries.
In the old-city workshops of Srinagar, master carvers known as naqash cut chinar leaves, grapevines and whole jungle scenes into the dark, close-grained wood of the Kashmiri walnut tree.
Born to shoe and saddle a colonial army, Kanpur's leather trade grew into India's Leather City — a craft of tanneries, hand-stitching, and hard-won skill.
White thread on white muslin, stitched so finely that the pattern shows as a shadow: Lucknow's chikankari is embroidery at its most delicate.
Woven with gold thread on pit looms in one of the world's oldest cities, the Banarasi sari is India's most celebrated brocade.